With her unapologetically bold style and sensually carved designs, Suzanne Belperron would distinguish herself among the first female master jewelers of the early 20th century, and as a designer whose aesthetic was so unique, it would serve as her signature.
Belperron’s creative genius quickly drew the attention of esteemed clientele including: the Duchess of Windsor, Josephine Baker, Diana Vreeland, and countless more high-profile figures; yet, she never sought public recognition. When asked why she never signed her pieces, as was customary of all haute joaillerie maisons, Belperron famously said, “my style is my signature.”
Writing in the San Francisco Sunday Chronicle in 1961, journalist Cécile Sandoz, expressed that the creations of Belperron possessed an instantly recognizable “abstract fluidity of form, a Pharaonic or Aztec sheen that gives a centuries-old patina and a highly personal technique of setting precious gems in larger semiprecious stones.”
“My style is my signature.” – Suzanne Belperron
From humble beginning, Suzanne Vuillerme Belperron grew up in a small town in eastern France. In 1916, she enrolled at the Écoles Municipales de Musique et des Beaux-Arts, located in Besançon, a city that would be known as the birthplace of France’s watch industry. It was here that she began her formal study of jewelry design. Knowing that versatility would give her the competitive advantage she sought, Belperron immersed herself and excelled in a variety of studies. Her early productions revealed an intuition of style and form, as well as a wealth of talent.